![]() ![]() Whitley in Amazing Grace, as well as in multiple concerts and cabaret appearances. During the same season, he was alsoįeatured as Mr. Neville Craven in Utahįestival Opera’s 2018 stunning production of The Secret Garden. Which was followed by a featured recital with the Icelandic National Opera.Īs a successful crossover artist, Mr. In 2019, he claimed first prize at the Vox Domini Voice Competition in his native Iceland, Schram Reed joined Portland Opera for their production of La In 2019, he took part in Marina Del Rey Symphony’s stellar performance of Laīohéme. He has previously been a celebrated soloist in works such as the Mozart Requiem,īeethoven’s Ninth Symphony, Walton’s Belshazzar’s Feast, the Bach Magnificat, Handel’s Messiah and Performance of Brahms’Ein Deutsches Requiem, a part of their quincentennial celebration of the Schram Reed made his international debut as the soloist in Tokyo Sinfonia’s Shortly before that, he sang the role of Donīasilio in Opera Roanoke’s exciting production of Rossini’s Il barbiere di Siviglia, “singing absolutelyīeautifully all the while” (Roanoke Times). The Icelandic bass-baritone was most recently seen as Sarastro in Opera Neo’sĮxciting virtual production of Mozart’sThe Magic Flute. Jóhann Schram Reed has been noted internationally for his rich, warm sound and moving He is also Executive Director, of Lawrence Opera Theatre (LOT) a summer music performing company as well as Artistic Director of the Vocal Academy of Opera (Turkey). He is Director of Vocal Arts & Opera at California State University, Northridge. He keeps an active private voice studio in Tucson and New York City. Aside from being featured on various Metropolitan Opera Live in HD broadcasts, he can be heard in various world premiere recordings and broadcasts which include Ricky Ian Gordon’s “The Grapes of Wrath” (Minnesota Opera), Craig Bohmler’s “Riders of the Purple Sage” (Arizona Opera) as well Paul Paray’s Mass and DVD of Puccini’s “La Fanciulla del West” (Metropolitan Opera) as well as the virtual world premiere micro-opera, “Wide Awake in the New City” by Lisa Neher. Hugo released a new recording in 2020 entitled “Romances and Poems” featuring the works of Russian composer Sergei Taneyev on the Centaur Recording label. His 2021-2022 season includes performances Pinkerton in “Madama Butterfly” with Indianapolis Opera, Don Jose in “Carmen” with Opera Aegean (Turkey), “Passione” with GLOW Lyric Theatre, debut with Lyric Opera of Orange County as Pinkerton in “Madama Butterfly,” “All is Calm” with Opera North and recitals in Los Angeles, Seattle, Lawrence, KS and Greenville, SC. Vera has sung with such prominent companies as Lyric Opera of Chicago, New York City Opera, Illinois Symphony, Aspen Music Festival, Sarasota Opera, Glimmerglass Opera, Opera North, Chautauqua Opera, Nashville Opera, Tanglewood Music Festival and Arizona Opera. ![]() In addition to being on The Metropolitan Opera roster for seven seasons, Mr. Carmen opera lyric full#Vera has performed over 50 roles and 65 large choral orchestral works with distinguished companies in the US as part of his musical and artistic development of the full lyric tenor repertoire. Native Texan, tenor Hugo Vera is described as possessing a “truly heroic voice” that is both “beautiful and brilliant.” Mr. Shecontinues her studies with teacher Joann Zajac. Mamey graduated from Occidental College where she began her vocal studies with Scott Blois. Past concert engagements include Beethoven’s 9th Symphony with Pasadena Master Chorale andBeethoven’s Choral Fantasy with Hollywood Master Chorale. Mamey has enjoyed performing with Pacific Opera Project, ChamberOpera Players of LA, Center Stage Opera and Townsend Opera in roles including Dinah in Trouble inTahiti, Dorabella and Despina in Così fan tutte, Zerlina in Don Giovanni and in several new and rareworks. This coming year, she will make her Lyric Opera of Orange County debut in the title role of Bizet’s Carmen andwith Vox Visceralis, debuting as Sesto in Mozart’s La Clemenza di Tito.A native to Southern California, Ms. Mamey enthusiastically digs into new musical compositions, which led toher Long Beach Opera Debut as the District Attorney in Anthony Davis’ Pulitzer Prize winning Central Park 5. She hasbeen noted for her wide dramatic and musical range, bringing a “gorgeous mezzo soprano voice that is crispand clear” (Stage and Cinema). ![]() Jessica Mamey is a mezzo-soprano, performing a variety of musical styles from Cabaret to Classical. ![]()
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